Dodge Ram | Who is Goldie Locks on the RAM commercial?

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  • Who is Goldie Locks on the RAM commercial?

    A rollicking, testosterone-tinged retelling of Goldilocks — and the actor behind the wig — takes center stage in Ram’s 2025 Big Game spot.

    (By Carmichael Phillip)


  • Who is Goldilocks?

    If you watched Ram’s big 2025 spot during the Big Game (or caught it online afterward), you probably did a double-take when the fairy-tale heroine showed up — flowing blonde locks, dramatic narration, and a whole lot of truck horsepower. The “Goldilocks” in Ram’s high-octane retelling is not a young girl at all: it’s actor Glen Powell, wearing a long blonde wig and playing a fantasy version of Goldilocks who prefers test-driving Ram trucks to sampling porridge. This casting — an intentionally playful gender-flip and a wink to the audience — has been central to the ad’s conversation since it debuted.


    Dodge Ram | Who is Goldie Locks on the RAM commercial?



  • A quick description of the commercial

    The spot, titled in many write-ups as “Goldilocks and the Three Trucks” (or “Goldilocks and the Three Rams”), is a roughly 60–90 second cinematic commercial that remixes the “Goldilocks and the Three Bears” story into a frenetic test-drive fantasy. Instead of porridge and chairs, Powell’s Goldilocks finds three Ram trucks and takes each on an over-the-top joyride — think dragons captured, trees carved into heroic sculptures, volcanic jumps, and other action-movie spectacle — all scored by a rousing rock track that amplifies the stunt-work energy. The ad cuts between Powell’s fantasy spectacle and a sweet reveal: he’s telling the story to his real-life niece and nephew, undercutting the macho bravado with a family moment at bedtime.

    Watch the extended spot here (official Ram / YouTube):



  • Who is Glen Powell — the man behind the wig?

    Glen Powell is an American actor who’s been increasingly recognizable in mainstream Hollywood over the past decade, with roles in films like Top Gun: Maverick (small but memorable), Twisters, and other studio fare. In recent years he’s become something of a charismatic leading-man type, capable of blending charm, action-comedy timing, and an affable, roguish persona that ad directors love for a high-visibility spot. Casting Powell as a burly, swaggering Goldilocks plays to that public persona: it’s a stunt casting choice designed to surprise and delight.

    Powell has spoken about the ad as something of a homecoming — he’s had real experience driving Ram trucks on prior projects and said being part of the campaign felt natural. The commercial also features his real-life niece and nephew, adding a family-friendly reveal to the macho action fantasy.


    How Did Glen Powell Get into Acting?


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  • Who made the ad? Creative team, director, and production notes

    Ram’s “Goldilocks and the Three Trucks” commercial was produced with GSD&M (the agency Ram has worked with on recent campaigns) and directed by David Leitch, a filmmaker known for high-energy action direction (Deadpool 2, John Wick second-unit work, Bullet Train connections). The Leitch connection explains the ad’s kinetic, stunt-forward approach: practical-feeling action, quick cuts, and cinematic set-pieces that feel pulled from an action movie trailer more than a car commercial. The ad also leans on licensed music to heighten the thrill — a classic rocker anthem that gives the sequence a driving heartbeat.


  • Why the Goldilocks idea — what’s the marketing logic?

    At a surface level, the Goldilocks frame is a clever metaphor: she tries three porridges to find the one that’s “just right.” Swap porridge for trucks, and you’ve got an easy way to showcase multiple products in a single narrative. But Ram’s version doubles down: the brand isn’t just showing three trim levels — it’s selling an attitude. By casting a charismatic actor and staging epic action set pieces, the spot positions Ram not just as a practical tool but as the centerpiece of bold, adventurous storytelling. In other words, the ad invites viewers to “drive your own story” — a campaign strapline that suggests identity, autonomy, and a larger-than-life lifestyle.


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  • How was the ad received?

    Reaction to the ad skewed largely positive in trade and pop-culture press: outlets praised the stunt-work, the tongue-in-cheek casting choice, and the production values — particularly the direction and music. Some commentators flagged the ad’s maximalism (a Super Bowl-sized appetite for spectacle), but that was mostly cast as part of the fun; the spot was intentionally loud, cinematic, and viral-ready. For Ram, returning to the Big Game roster after a year away made the ad a centerpiece of their media buy and a talking point across social feeds and entertainment sites.


  • What trucks appear — is this about one model or a family?

    Ram uses the tale to showcase multiple vehicles in its 2025 lineup — the spot highlights the Ram 2500 Rebel, the new Ramcharger plug-in hybrid concept/production-intent vehicle, and the high-performance Ram RHO (and related trim/variants in different cuts). The structure of “three trucks” maps to the fairy-tale’s three porridge/chair beats, which gives the creative team a natural way to move the action from one vehicle to another and demonstrate different capabilities (off-road chops, towing/power spectacle, and the new electrified- or high-tech angle Ram is pushing). Car and Driver and other automotive trades broke down which trucks appeared and how they were staged.


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  • Easter eggs and behind-the-scenes details

    There are a few fun details for eagle-eyed viewers and industry-watchers: Glen Powell’s on-screen persona nods to pulpy adventure tropes (the Fabio-esque wig, the confident narration, the action beats). Several outlets noted that Powell’s real family appears in the commercial’s frames — a deliberate human touch after the adrenaline sequences. The commercial’s production notes released by Ram/PR channels show director David Leitch and GSD&M leaning into blockbuster production design (CGI bears in some cuts, heavy stunt coordination, and wide scope for the extended online piece) — all signals this was engineered to live both in a one-minute Big Game cut and as an extended online asset to drive sharing and earned coverage.


  • Why this ad matters for Ram and the Big Game landscape

    The Super Bowl remains the single most watched ad showcase in the United States, and for brands, it’s both a marketing and cultural moment. Ram’s choice to return — especially when many major automakers sat out that year — positioned them to grab share of voice. The ad works on multiple levels: it’s a product showcase, a viral/social asset, and a cultural conversation starter (who is this Goldilocks and why is Glen Powell wearing a wig?). For Ram, the bet was that a memorable creative idea executed at high production values will generate earned media, social buzz, and—ultimately—lift brand consideration among viewers who value authenticity, capability, and a sense of spectacle.


  • Where to watch (video embed and official channels)

    The official extended cut and the 60-second TV version are available across Ram’s official YouTube channel and social platforms; many entertainment and news outlets embedded the spot on their pages after the Big Game. If you want the highest-quality, official source, watch the spot on Ram’s YouTube or the brand’s press-release pages for the extended cut and production stills. (Embedded above is an official upload of the commercial.)


  • Final thoughts — does the stunt casting pay off?

    For an audience that expects the Super Bowl to deliver spectacle and for a truck brand that trades on visceral feelings of capability and identity, the idea of “Goldilocks who steals trucks” is an effective hook. Casting Glen Powell injects charm and instant recognizability; the direction elevates the spot beyond a simple product demo into a short-action-film experience; and the family moment at the end gives the spot a humanizing coda that keeps it from becoming pure self-parody. Whether it drives immediate showroom visits or long-term consideration is something the marketing team will measure, but from a creative standpoint the spot succeeds at being memorable — and that’s half the battle in a Big Game ad.

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