Can You Say Good Luck Before an Audition?

Can You Say Good Luck Before an Audition?

Exploring the etiquette, beliefs, and psychology behind pre-audition good wishes

(By Ray Reese)

Why “Good Luck” Can Be Controversial in Theater Culture

In theater and film circles, “good luck” before an audition or performance is often met with a raised eyebrow. The phrase has long been considered taboo among actors, particularly in theater, where it’s often replaced with the more cryptic “break a leg.” The origins of this superstition trace back centuries, with various explanations floating through the performing arts world.

One popular theory stems from a superstition that wishing someone “good luck” actually tempts fate, leading to the opposite result. By saying “break a leg,” performers ironically hope for success, sidestepping bad luck by invoking it in name only. Another explanation points to the historical use of the term “leg” to refer to the curtain legs on stage — suggesting that “breaking a leg” means stepping onto the stage and being in the spotlight.

In the world of auditions, especially for theater, this tradition sometimes extends to casting calls. Although not every actor subscribes to these superstitions, many will at least hesitate before uttering “good luck” to another performer.

Example:
When actor Sarah Jenkins was auditioning for a role in an off-Broadway production, her fellow performers wished her to “break a leg.” She remembers thinking it was odd at first, but she later realized it was a heartfelt, traditional expression of support in disguise.

If saying “good luck” feels too risky or culturally insensitive within an acting context, there are many alternative phrases that convey the same sentiment without breaking tradition or inviting unwanted superstition. Here are some common alternatives used in the audition world:

“Break a leg”

“Knock ’em dead”

“You’ve got this”

“Nail it”

“Go shine out there”

“Give ’em hell” (used more informally)

“Make magic happen”

These phrases have the same encouraging intent but are generally considered more appropriate in performance culture.

Example:
During a community theater audition, one performer told her friend, “Go shine out there.” The performer later admitted that hearing such supportive words helped ease her nerves and focus her energy.

Yes — but with some caveats. In film and TV settings, especially among younger or less tradition-bound actors, saying “good luck” isn’t considered as taboo as it is in the theater. Many industry professionals today don’t hold strong beliefs about the phrase and may see it simply as a polite gesture.

That said, it’s wise to read the room. If you’re surrounded by classically trained actors or veterans of the stage, it’s best to default to tradition. In more casual or commercial environments, such as a commercial audition or a children’s casting call, “good luck” might be perfectly acceptable and even appreciated.

Example:
Actor Marcus Li recalls saying “good luck” to another actor before a commercial shoot audition. The actor simply smiled and thanked him. “I was worried at first,” Marcus said, “but then I realized this wasn’t Shakespeare in the Park. It was a toothpaste ad.”

Whether it’s “good luck,” “break a leg,” or a simple smile and nod, words of encouragement before an audition have a psychological effect. Auditions are stressful experiences that require vulnerability and focus. Even small gestures of support can help calm nerves and increase confidence.

Studies in performance psychology suggest that ritual and routine — including supportive phrases — can positively influence performance outcomes. While the words themselves might not have magical properties, they reinforce a mindset of preparation and support.

Example:
In one university study, acting students who were given encouraging phrases before a mock audition reported feeling 15% more confident than those who received neutral or no comments at all.

The idea of avoiding “good luck” is mostly a Western theatrical tradition. In other cultures, different expressions and customs govern pre-performance or audition rituals.

For instance:

In France, dancers are often told “merde” (the French word for “poop”) before going on stage, stemming from the days when horse-drawn carriages would line up outside the theater. More horses = more poop = a packed house.

In Italy, performers say “in bocca al lupo” (“into the wolf’s mouth”), to which one replies “crepi il lupo” (“may the wolf die”).

In Spain, the phrase “mucha mierda” is used, again referencing the old link between horse manure and audience size.

These sayings reflect a broader idea: the specific words may vary, but the intention is always the same — to show support and ward off bad luck.

Example:
Spanish actor Elena Díaz shared that before her first American audition, she reflexively said “mucha mierda” to her peers — prompting confused stares. She quickly explained and laughed it off, turning the moment into a funny cultural exchange.

Sometimes, silence is golden. Before a big audition, actors may be concentrating, running lines, or managing nerves. Interrupting them with any phrase — even something encouraging — might be distracting or unwelcome. This is especially true in high-stakes environments like callbacks for major productions or when working with introverted artists.

The best approach? Offer a warm smile or a simple thumbs-up. Respect the person’s space. If you know them well, tailor your words accordingly. If not, it’s okay to hold back and offer support in nonverbal ways.

Example:
Actor James Brooks was preparing for a screen test when someone whispered, “Good luck.” He appreciated the gesture but found it broke his concentration. He later said he preferred just a quiet nod from his friends.

So you slipped. You said “good luck” to an actor on their way to an audition, and they visibly tensed. Don’t panic. Most actors, even the superstitious ones, won’t hold it against you. If you feel it’s necessary, follow it up with “or should I say, break a leg!” and offer a smile.

Making light of the situation usually diffuses it. What matters more than the words is the intention behind them. Sincere well-wishing almost always trumps strict adherence to tradition.

Example:
Casting assistant Rachel Morgan accidentally said “good luck” to a veteran Broadway performer. She quickly added, “Oops! Break a leg, of course!” The actor laughed and gave her a playful salute.

If you’re new to acting, auditioning, or backstage culture, take the time to learn the unwritten rules. It’s not just about superstition — it’s about respect for the traditions of the craft and the people who uphold them.

Observe how others talk backstage or before auditions.

Listen for the phrases commonly used.

When in doubt, follow their lead or ask a seasoned performer.

When unsure, use phrases like “You’ve got this!” which are nearly always safe.

Example:
During her first year in drama school, Tasha Chen made a habit of watching how upperclassmen interacted before auditions. She noticed the most confident performers often didn’t say anything at all — they simply smiled and let their presence speak.

In the end, whether you say “good luck,” “break a leg,” or stay silent, what matters most is the spirit behind your words. The acting world is full of quirks, rituals, and traditions — some old, some evolving — but they all point back to one idea: performers need encouragement and support.

So yes, you can say “good luck” before an audition — just make sure it’s appropriate to the context. Learn the customs of your environment, observe how others interact, and always lead with kindness.

Final Example:
At a major Los Angeles casting call, a casting director walked by a group of nervous actors and said simply, “Whatever happens, just give your best. We’re rooting for you.” In that moment, it didn’t matter what words were used — the support was clear, and every actor in the room stood a little taller.

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