Is it okay to go over 32 bars in an audition?
Navigating audition length: when it’s okay to break the 32-bar rule and when it’s not
(By Ray Reese)
(Photo by Bruce Mars on Unsplash)
Understanding the 32-Bar Audition Standard
In the world of musical theatre, the “32-bar cut” has long been the standard audition length. It’s a manageable segment of music—usually about one minute—that gives performers enough time to show off vocal quality, acting ability, and range without monopolizing the audition panel’s time. But as performers grow more creative and roles become more competitive, many wonder: is it ever okay to go over those 32 bars?
The answer isn’t a simple yes or no. It depends on context, material, and the specific audition instructions. Before we dissect the nuances, it’s worth understanding why the 32-bar rule exists. In a typical audition day, casting directors might see hundreds of actors. Limiting each performance helps maintain a tight schedule while allowing each artist a fair shot.
That said, rules are made to be bent—sometimes.
When Going Over 32 Bars Is Acceptable
There are legitimate situations where going over 32 bars is not only acceptable but expected. Here are a few examples:
1. No Time Limit Specified:
If the audition breakdown doesn’t specify the length of your cut—i.e., it doesn’t say “prepare 16 or 32 bars”—you have more flexibility. In such cases, performers often prepare “a one-minute cut” instead. Depending on tempo and song choice, that might naturally run longer than 32 bars. As long as it’s tight and engaging, casting teams often won’t mind.
2. You’re Telling a Clear Story:
Sometimes, the emotional arc of a song doesn’t wrap up neatly in 32 bars. If you need a few extra measures to complete the thought—especially if the climax of the piece happens just outside the 32-bar cut—it may be worth stretching slightly. Musical theatre actor Annaleigh Ashford once shared in a Broadway.com interview, “If you stop before the payoff, you’re selling yourself short. Just make it count.”
3. It’s a Callback or Final Round:
At callbacks, particularly when a creative team is seriously considering you for a role, you may be invited to sing a longer segment—or even the full song. In these cases, the 32-bar rule is irrelevant. They’re no longer testing your raw talent; they want to see the whole package.
4. It’s Your Own Showcase:
If you’re auditioning for a school program or performing in a talent showcase, where the format allows more flexibility, it’s perfectly fine to present a longer piece, especially if you’ve cleared it with the director.
When You Should Stick to the 32-Bar Rule
Despite the exceptions, there are many situations where exceeding 32 bars can hurt rather than help:
1. The Instructions Are Clear:
If the casting notice explicitly asks for a 32-bar cut, follow the rules. It shows professionalism and an ability to take direction—qualities every director looks for. Going over the limit may come off as arrogant or disrespectful of the team’s time.
2. Time-Constrained Open Calls:
During a crowded Equity Principal Audition (EPA) or an open call, time is precious. Every extra second you take may delay others, and you don’t want to be the person who throws off the schedule. Directors and accompanists alike will notice—and not in a good way.
3. Your Cut Loses Impact:
Longer isn’t always better. A clean, compelling 32-bar cut often delivers more impact than an unfocused, drawn-out 40-bar version. If you find yourself adding bars just for the sake of showing range, reconsider. Focus on what best tells the story.
4. You’re Singing for Film or TV Musical Auditions:
In screen casting, brevity is essential. Casting directors want quick glimpses of potential. Unless asked for more, going over can seem like you’re unfamiliar with the audition process.
Examples of Smart Choices in Exceeding 32 Bars
Let’s look at some real-world examples where performers have chosen to stretch the limit—and made it work.
Example 1: “She Used to Be Mine” from Waitress
This song builds emotionally over time. A typical 32-bar cut might miss the gut-wrenching climax that makes the piece so powerful. In one college program audition, a student included the song’s second verse and part of the chorus, stretching to about 40 bars. She landed a callback—and later, acceptance—because she delivered a full emotional journey.
Example 2: “Giants in the Sky” from Into the Woods
Actor Chris Gutierrez used a 36-bar cut of this song to land a regional theatre role. He cut strategically—using the final 8 bars to showcase vocal power and breath control. Though he exceeded the traditional length, he kept within a minute and told a complete story.
Example 3: “Being Alive” from Company
At a final callback for a Sondheim review, one performer sang the entire song. The creative team, already familiar with her from earlier rounds, wanted to see her emotional range evolve across the whole arc. In this situation, going far beyond 32 bars was expected.
These examples illustrate a key point: if you’re going over the limit, there needs to be a good reason.
How to Edit Your Cut Effectively
If you’re preparing an audition and considering whether to extend your cut, follow these tips:
1. Time It:
Most casting directors are more concerned with time than bar count. A one-minute performance is often considered standard. If your 40-bar cut still fits within that window, you’re likely fine.
2. Highlight the Arc:
Your song should have a beginning, middle, and end—even in a short cut. Think of it like a mini-monologue: build to a climax, and finish strong.
3. Work with Your Accompanist:
Always have your sheet music clearly marked, even if you plan to go slightly over. If the pianist can follow your intentions without confusion, your cut will come across as polished and professional.
4. Get Feedback:
Before using a longer cut, show it to a coach or director. Their outside perspective can help you decide if the longer version truly serves your audition.
Etiquette and Final Thoughts
So, is it okay to go over 32 bars in an audition?
Yes—if you do it smartly, respectfully, and strategically. Never stretch the limit just because you can. Make sure your extended cut serves your character, fits the time constraints, and adheres to any posted guidelines.
Ultimately, your job as a performer is to tell the best story you can in the time you’re given. Whether that’s 16 bars, 32 bars, or a little more, your goal should always be clarity, connection, and confidence.
As Tony-winning director Bartlett Sher once said, “What matters most isn’t how long you sing—it’s how deeply you commit to the moment.”
And that’s a note worth holding.
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