Do Broadway actors work 7 days a week?

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  • Do Broadway actors work 7 days a week?

    A deep dive into the demanding, exhilarating, and grueling schedule of life on the Broadway stage

    (By Carmichael Phillip)


    (Photo: Cottonbro | Pexels)

    Broadway’s Demanding Routine: A Standard Week

    Broadway actors may not typically work seven days a week, but their schedules are far more intense than most people realize. The standard Broadway performance week usually consists of eight shows spread over six days, with one full day off, commonly Monday. This is referred to as the “Equity Standard Work Week,” established by the Actors’ Equity Association, the labor union that represents stage performers.

    Actors typically perform:

    Tuesday through Sunday

    Two performances on Wednesday and Saturday

    One performance on Tuesday, Thursday, Friday, and Sunday

    Monday off (generally)

    However, even with one day officially “off,” many actors find themselves working every single day in some capacity—whether it’s rehearsals, promotional events, or physical therapy.


  • Rehearsals, Cover Calls, and Maintenance

    What many fans don’t realize is that rehearsals don’t end on opening night. Casts are constantly evolving, and performers are regularly called back for rehearsals during the day to integrate new actors, cover swings, and run lines.

    As Broadway veteran Patti Murin (Frozen) explained:

    “We were constantly rehearsing, even on show days. Especially for big shows, there’s always someone new coming in or a swing rehearsing. The machine never stops.”

    Also, performers may be asked to do put-in rehearsals—full run-throughs with minimal audience—to ensure replacement cast members are ready. These rehearsals often happen in the morning or early afternoon before the evening show.


  • The Physical Toll of Performing Live

    Doing the same physically demanding performance eight times a week can take a major toll. Think about a show like Hamilton, Wicked, or The Lion King. These productions require choreography, vocal stamina, and intense focus night after night.

    Ramin Karimloo, known for roles in Les Misérables and The Phantom of the Opera, once said:

    “Eight shows a week is a marathon. You don’t treat it like a sprint. You learn to pace your energy, protect your voice, and guard your physical and mental health.”

    Even on their “off” day, actors often spend time doing:

    Voice rest

    Physical therapy

    Strength or dance training

    Doctor or vocal coach appointments

    Performers must maintain peak condition to avoid burnout or injury, and this level of discipline makes Broadway one of the most grueling and impressive professions in entertainment.


  • Understudies, Swings, and Standbys: Always On Call

    Broadway shows don’t stop when a lead actor calls out sick or is injured. That’s where understudies, swings, and standbys come in—unsung heroes who keep the show running.

    Understudy: A cast member with a role who also covers a principal character.

    Swing: A performer who covers multiple ensemble tracks (sometimes up to 10+).

    Standby: An off-stage performer dedicated to covering a leading role.

    These performers must be ready every single day, including Mondays. Even when not scheduled to perform, they’re expected to:

    Be available for emergencies

    Run through lines and choreography

    Attend rehearsals and meetings

    As standby performer Major Attaway (Genie in Aladdin) explained:

    “There’s no such thing as a real ‘day off’ when you’re a standby. You’re always mentally in the show, even if you’re not on stage.”


  • Holiday Weeks: Nine-Show Weeks and Zero Days Off

    During peak tourist seasons—especially around Thanksgiving, Christmas, and New Year’s—Broadway shows may add a ninth show to the schedule. This means performers might work seven days straight, sometimes with two double-show days.

    These weeks are tough, but they’re also lucrative. Many performers earn extra pay for added performances, and it’s an opportunity to showcase the show to larger holiday crowds.

    Still, as Beetlejuice star Alex Brightman noted:

    “Those weeks are brutal. You just hydrate, sleep, and pray your voice doesn’t give out.”

    During the winter season, illness can also sweep through casts, putting added pressure on swings and understudies to be ready at any moment.


  • Balancing Day Jobs, Classes, and Side Hustles

    Not all Broadway actors earn massive salaries. Many ensemble members and swings earn a union minimum (around $2,500 per week before taxes in 2025). While this is good pay, cost of living in New York City is high, and jobs are not always guaranteed for a full year.

    As a result, many Broadway actors work side gigs like:

    Teaching dance or acting classes

    Singing in church choirs

    Voiceover or commercial work

    Working in restaurants or cafes between contracts

    For actors who aren’t in a long-term run, their “days off” may be spent auditioning for the next gig—a full-time hustle on its own.


  • Mental Health and Burnout in the Broadway Community

    The emotional and mental pressure of Broadway life can’t be overstated. The need to be “on” constantly, to fight for jobs, to push through fatigue—it wears people down.

    Tony-winning actress Cynthia Erivo (The Color Purple) shared:

    “People think Broadway is just fun and jazz hands. But it’s tough. It’s therapy and athleticism, night after night. If you don’t take care of your mind, it can break you.”

    In response, the Broadway community has started taking mental health more seriously. More actors are using:

    On-call therapists provided through Equity

    Mental health support groups

    Mindfulness and meditation apps


  • What Happens on the “Day Off”

    Broadway actors often refer to Monday as “Dark Day”—the one day when most theaters go dark. But that doesn’t mean actors are always relaxing.

    Here’s what a typical Monday might involve:

    Rehearsal for a replacement or upcoming cast change

    Voice lessons or dance classes

    Industry events or cabarets

    Press appearances or photoshoots

    Auditions for future roles

    And some actors just use it to sleep. One chorus member from Chicago joked:

    “My Monday plans? Pajamas, pizza, and Netflix. That’s all I have the energy for.”


  • Exceptions and Variations: Off-Broadway and Touring Life

    While this article focuses on Broadway, Off-Broadway and national tours have their own rhythms. Touring actors often perform in unfamiliar cities, with travel days eating up any potential downtime.

    A touring schedule might include:

    Travel on Monday

    Performances Tuesday through Sunday

    Hotel check-ins and gym visits in between

    Touring actor Derrick Davis (The Phantom of the Opera) once noted:

    “You’re living out of a suitcase and performing like it’s Broadway. There’s zero glamour on the road, but the audience always deserves your best.”


  • Conclusion: Is Broadway a 7-Day-a-Week Job?

    Technically, most Broadway actors do not perform seven days a week, but in practice, their commitments often span all seven days. From rehearsals and workouts to press events and auditions, the lifestyle demands full-time dedication.

    The life of a Broadway performer is not for the faint of heart. It’s physically grueling, mentally taxing, and emotionally intense—but for those who love the stage, it’s also magical. As Broadway legend Audra McDonald put it:

    “Every night you step on stage, no matter how tired you are, someone in the audience is seeing a Broadway show for the first time. You owe them your best.”

    For the dedicated artists of Broadway, even the “day off” is just another part of the show.

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