Does Broadway do open calls?

Does Broadway do open calls?

Understanding the audition process behind the curtain of Broadway’s biggest stages

(By Javier Guerra)

What Are Open Calls in Theatre?

Open calls, sometimes referred to as “cattle calls,” are auditions open to the public, where any performer can show up and audition—no agent, invitation, or prior connection required. These are often the first step for many aspiring actors hoping to break into professional theatre, including the iconic stages of Broadway.

Unlike private auditions or appointments that are invitation-only, open calls represent a democratic entry point into the performing arts world. They’re typically announced through casting websites like Backstage, Playbill, Actors Access, or the website of the specific production or casting agency.

While Broadway may seem like an exclusive club reserved for the lucky and well-connected, it does, in fact, embrace open calls—especially for large ensemble roles, replacement cast members, and new talent seeking entry into the industry.

Yes, Broadway does host open calls, and they remain a key part of the casting process. While principal roles often go to seasoned actors through agents and callbacks, chorus members, understudies, and ensemble performers are frequently discovered through open auditions.

The Broadway League and the American Guild of Musical Artists (AGMA), as well as Actors’ Equity Association (AEA), all promote and regulate open calls for Broadway and touring productions. Equity Principal Auditions (EPAs) and Equity Chorus Calls (ECCs) are two of the most common types of open calls held for union performers. However, non-union talent may also be seen, usually after union members have had their turn.

For instance, the musical Hamilton famously held open calls in several cities to discover diverse talent. Lin-Manuel Miranda’s casting team has actively scouted new performers through open auditions, leading to real Broadway breakthroughs for previously unknown actors.

Let’s look at some real-life examples where Broadway productions turned to open calls:

1. The Lion King — Nationwide Open Auditions:
Disney Theatrical Productions frequently holds open auditions for The Lion King, both for its Broadway company and touring companies. These auditions often welcome children and adults of all backgrounds and encourage performers to bring their own style and authenticity to the roles.

2. Dear Evan Hansen — Digital and In-Person Open Calls:
The casting team behind Dear Evan Hansen launched an open call campaign both in person and online, encouraging actors to submit videos of themselves singing selections from the show. This allowed them to discover young actors across the country who otherwise might not have had access to a traditional audition.

3. Mean Girls — Equity and Non-Equity Chorus Calls:
The Broadway production of Mean Girls posted open chorus calls through Equity, inviting dancers and singers to audition for ensemble roles. Non-union performers were invited to attend as well, though they were seen only if time allowed after union members.

4. West Side Story Revival — Seeking Authentic Latinx Talent:
For the 2020 revival of West Side Story, the casting team held open calls specifically seeking Latinx actors and dancers who could bring authenticity to the portrayal of the Sharks. These calls were widely publicized and drew talent from all over the country.

Actors searching for open calls have multiple resources available to them:

Backstage.com – One of the most widely used casting websites in the U.S. for both union and non-union opportunities.

Playbill.com – Frequently posts casting notices, especially for major productions.

Actors’ Equity Association Website – Offers a detailed breakdown of all EPAs and ECCs.

Social Media – Many casting directors, like Telsey + Company or Tara Rubin Casting, post audition notices on Instagram and Twitter.

BroadwayWorld Audition Center – Another reliable source for audition notices and open calls.

Most audition postings will include detailed instructions on what to prepare, what to wear, and whether to bring a headshot and résumé.

One of the biggest distinctions in the Broadway audition scene is between union (Equity) and non-union auditions.

Equity Auditions are typically scheduled through the union and give priority to members.

Non-Union Performers are allowed to audition at many of these events but are often required to wait until all union actors have been seen.

That said, many shows are open to seeing non-union performers, especially when they are looking for fresh, untapped talent. Some open calls specifically invite non-union actors, such as the Hamilton #Ham4Ham open casting campaign.

A smart strategy for non-union actors is to show up early, be patient, and be prepared—you never know when time will allow for you to be seen.

The competition is fierce, but a strong audition can catch a casting director’s eye. Here are some key tips to help stand out:

Be prepared: Know your monologue or song cold. Bring your music, marked clearly for the accompanist.

Dress professionally: Wear clothes that reflect your character without turning it into a costume.

Be early: Lines can form hours before the official start time.

Be friendly but focused: There’s a social element to waiting with others, but don’t lose focus.

Take direction: Some auditions will include a dance or movement component. Be ready to learn quickly and adapt.

Know your type: Bring material that highlights your strengths and fits the role or show’s tone.

With the rise of digital submissions, Broadway casting has started to modernize. Especially post-pandemic, open calls often include video submission options. This has opened doors for actors who may not be able to travel to New York or other audition cities.

For example, Moulin Rouge! The Musical accepted online video submissions for roles in both its Broadway and touring productions. These auditions often ask actors to upload videos to casting portals and may require self-tapes with specific sides or songs.

This hybrid model of digital and in-person open calls is becoming the new normal, giving even more access to aspiring actors across the country.

Open calls are more than just a logistical necessity—they’re a symbol of Broadway’s commitment to diversity, equity, and inclusion. These auditions offer chances to performers from all walks of life, many of whom don’t have representation or financial backing.

Some of Broadway’s biggest stars got their start at an open call. For example:

Cynthia Erivo, before winning her Tony for The Color Purple, attended several open auditions early in her career.

Eva Noblezada, who starred in Miss Saigon and Hadestown, was discovered through a high school performance and then invited to an open audition.

Ben Platt of Dear Evan Hansen began auditioning for shows at a very young age, including attending general and open auditions throughout his early career.

Broadway continues to find its future stars at these open calls. They’re not just an industry standard—they’re a lifeline for talent.

If you’re an aspiring actor dreaming of Broadway, the answer is: absolutely yes. Open calls are an opportunity to be seen, to grow, and to gain experience even if you don’t book the role right away. Each audition builds your confidence and connections.

Prepare well, do your research, and show up with professionalism and passion. Even in a room full of hundreds, if you bring your unique energy and talent, someone will notice.

Broadway does open calls—and it just might be your way in.

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